Condemned to death for murder, Callum Lynch wakes up in the mysterious laboratory of the Abstergo Foundation, headed by Alan Rikkin and his daughter Sofia. She offers him a second chance and a new life, on one condition: that he agrees to lend himself to an experiment. He discovers the Animus, an incredible machine that allows him to be projected in Spain of the 15th century, in full Inquisition. In the skin of his ancestor Aguilar de Nerha, member of the mysterious secret society of the Assassins, he is supposed to find an artifact with astonishing powers, coveted by the Templar Order ...

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Warcraft recalled this year and Resident Evil: Final Chapter will scream it early 2017: expecting a Hollywood blockbuster a nice video game adaptation is a painful illusion. Assassin's Creed is not a stupid idea on paper: the actors together (Michael Fassbender , Marion Cotillard , Jeremy Irons ) are impressive, and several striking moments remind us that Justin Kurzel (Macbeth ) Has a remarkable sense of direction. But this adaptation of the game of Ubisoft resembles to be mistaken to an ordinary blockbuster, torn between obvious ambitions and obligations of spectacle. Hence an adventure badly tied, badly assembled, badly rhythmic, which is cruelly lacking in soul. Assassin's Creed * takes itself too seriously in its large dialogue scenes in the present and does not take seriously the legacy of the game (adventure and adrenaline of the sequences in the past, reduced here at some soft moments And barely useful to the plot).